Practical Printmaking: Protecting and Displaying Prints

August 24, 2026

Whether you’re a new art collector or a seasoned one, there are a few things to keep in mind when framing prints. The paper I use in a edition is always archival/acid-free paper. It should last a good many years beyond our lifetime with proper care.

In order to help preserve your new art work the following should be observed:

Keep out of direct sunlight. Sunlight could make the ink fugitive, or cause it to fade, become brittle, or, when in a frame, could cause moisture build up. Moisture could cause mildew, mold or can attract bugs such as silverfish. Using a UV proof glazing (glass) with your frame, although not necessary, can help prevent this.
Use archival/acid free matte board inside the frame, both as the “window” frame and as the backing board. Using non-archival materials such as cardboard can leech acid onto the paper and cause discoloration known as “foxing”, which looks like a brown stain similar to tea stains.
By having a matte board frame, your art will be protected from being in direct contact with the glass. Though the ink is dry to the touch, oil-based ink will continue oxidize; in practical terms, it’s possible that the ink could stick to the glass if you ever decide to change out the frame. For water-based inks, moisture build up can reactivate the ink and cause it to bleed onto the glass.
If storing the artwork unframed, in a drawer for example, be mindful it isn't in contact with everyday, non-archival papers such as note paper, magazines, printer paper, etc. This is due to the acids found in our day-to-day paper materials that will cause the foxing as mentioned above.
When in doubt, go to a professional framer and a reputable one should be able to help you out.